Get the phone off the table! Reality shows try to take us back to our roots

 Get the phone off the table!  Reality shows try to take us back to our roots

In fact, shows such as Channel 4’s back-to-basics “social experiment” The Simpler Life have been commissioned in waves for years now. It sees 24 Britons adopting the Amish lifestyle for half a year at a Devon farmstead, growing their own food, wearing traditional Amish attire (straw hats and braces for the men, milkmaid dresses and bonnets for the women) and most notably, living without modern conveniences such as the internet and electricity. It fits in with a long-held fascination of television programme-makers: stripping it all back, reimagining our present way of life, whether it’s to critique capitalism or the move away from traditional Christian values.

A new wave of series, such as Channel 4’s The Simpler Life, are attempting to disconnect us from the internet. But all it demonstrates is that the creators are out of ideas. A re-evaluation of the speed of modern life has been one of the more positive effects of recent years. Covid pushed the world to slow down and rethink its priorities, and many of us have since questioned what it means to “go back to basics,” to unplug from the modern world and return to a simpler time. As a result, it was only a matter of time until reality television followed suit.


  • The Courtship, a new Regency era-themed reality dating show, is a mashup of both the aforementioned shows. In what NBC believes to be the antidote to apps, it focuses on a “modern girl tired of modern dating”, Nicole Rémy, who is ditching screen swiping in favour of a more chivalrous approach. “We’re often living in a world that isn’t so focused on making true, deep connections with people,” Rémy told Variety. “The Courtship was a breath of fresh air.” Rémy will date a number of suitors who will not just have to win her heart, but her court (her friends and family). When an admirer leaves, they do so with a final dance (giving the exit a sort of Strictly Come Dancing feel). The Love Island villa has been reimagined as a castle and neon bikinis are ditched in favour of full Bridgerton-esque regalia.

  • But today these shows focus mainly on a new scourge – the internet. BBC Three’s new dating show, Love in the Flesh, follows five couples who have started relationships “through apps, stories and DMs” but have never met “in the flesh”. Hosted by Love Island alum Zara McDermott, participants will be “whisked away from the pressures of daily life and screens” to see each other face-to-face for the first time in a luxurious Greek beach house (not “villa”, they assure us). In this Love Island meets Catfish hybrid, they will see if the chemistry remains “when there are no filters and no screens to hide behind”.

Conversely, the Netflix docusoap Byron Baes, which follows the lives of Australian influencers (and essentially doubles up as a live-action Instagram feed in the process), continues to make waves. Its blend of scripted dialogue and trashy interactions between the social media savvy cast is winning over reviewers, generating huge amounts of internet buzz and being lauded as this year’s newest hatewatch. For now, reality TV seems to be at its best when enmeshed with the worst parts of online life.

NBC’s Regency era-themed show The Courtship, featuring Nicole Rémy, far right. NBC’s Regency era-themed show The Courtship, featuring Nicole Rémy, far right. Photograph: NBC/NBCU Photo Bank/Getty Images Often these shows are billed as being vaguely done in the name of pseudoscience. The real takeaway is usually that producers are running out of reality show formats and the only thing better than drama is a drama in period costume. The Simpler Life does at least monitor the volunteers’ health and wellbeing in order to glean results but already viewers appear less convinced about the virtues of life offline. It was released to tepid reviews and two episodes in, The Courtship has been downgraded to a subsidiary NBC channel.

… as you’re joining us from India, we have a small favour to ask. Tens of millions have placed their trust in the Guardian’s fearless journalism since we started publishing 200 years ago, turning to us in moments of crisis, uncertainty, solidarity and hope. More than 1.5 million supporters, from 180 countries, now power us financially – keeping us open to all, and fiercely independent.

Unlike many others, the Guardian has no shareholders and no billionaire owner. Just the determination and passion to deliver high-impact global reporting, always free from commercial or political influence. Reporting like this is vital for democracy, for fairness and to demand better from the powerful. And we provide all this for free, for everyone. We do this because we believe in information equality. Greater numbers of people can keep track of global events, understand their impact on people and communities, and become inspired to take meaningful action. Millions can benefit from open access to quality news, regardless of their ability to pay for it.